Despite its decidedly unhappy protagonists there is an unwavering sense of optimism in Pen-Ek Ratanaruang’s delightful film that offers a ray of sunlight even in the darkest moments. It concerns Kenji, a lonely, somewhat neurotic Japanese ex-pat living in Bangkok who spends his spare time meticulously arranging his apartment (even his shoes are filed according to day) and making half-hearted attempts at suicide. One day, while contemplating jumping off a bridge, he witnesses a car accident in which a young girl is killed. Thus begins his tentative relationship with Noi, the girl’s older sister and his opposite in almost every respect....whereas his life is obsessively ordered and devoid of any spontaneity, hers is bordering on chaos....yet both characters are desperately alone, drifting through their lives without direction. But even as they hesitantly gravitate towards one another elements from their past threaten to destroy what little happiness they’ve gained. Ratanaruang uses his character’s contrasting personalities to full effect presenting us with a quirky tale of two lost souls in search of balance. He injects his film with a wonderfully dry humour and just a touch of magic thanks in large part to Chris Doyle’s imaginative camerawork and some amazing performances from the two leads. The gracefully downplayed finale was pure poetry.